Bestbuy eBooks - How To Get Your Music Into Movies.

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No, it's not brain surgery! But it is important to know how to do it right!

You can easily and painlessly learn:

How licensing works...How you get paid...Who to send your music to...What terms you need to know about...and much more...and all of it is written in everyday english.

Empower yourself in music licensing for $25.

Is your music career worth $25 to find out:

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I have been a music supervisor since 1995 - and a songwriter for over 30 years - and I know how things work where music and Film/TV are concerned. I know how to help you get noticed by the global entertainment community. I know how to help you build your career. I am interested in you and your music.

Without you there would be no music in movies and television.

Because I have worked as a songwriter - and as an indie label owner and publisher - I know what it's like to be where you are. Believe me when I say this:

This guide is written with your future in mind.

If you are a Songwriter, Recording Artist, Artist Manager, Label Owner, Music Publisher, or simply someone trying to figure out how the music business works, this guide will explain - in plain English - everything you need to know to effectively license music into movies and television.

You will learn who to send music to and how best to do it. You’ll also learn every key dealpoint and how to negotiate effectively. And most importantly, you will learn where the money is in music licensing.

do you need to know this information?

FIlmmakers pay for music all the time.
filmed entertainment is a huge business
the power of music licensing

ABOUT THE AUTHOR

As a professional Music Supervisor, Ron Proulx works every day with Television Producers and Filmmakers to find the right music for their productions.

He has worked on over 80 films and 350 television episodes, and licensed more than 1,200 songs over his 10-year career.

There’s never been a more exciting time to have the world discover great music. Every year, new artists are introduced to new fans by way of a song in a movie or in television.

Every time a song appears in a television show, it generates income for songwriters and publishers.

If you’ve read this far, you probably want to learn more about licensing music into film and television.

This guide will help you like it’s helped hundreds of others.

It is written in everyday plain English and is not brain surgery. It is practical and to the point. It discusses everything one needs to know to successfully license their music into movies and television.

Certainly I would like to sell copies of this guide, but this is not the only reason that I have written it. Several years ago I was an artist with only vague ideas of how to get my songs into film ...

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